45593 candidatos pendentes de triagem, de todas as fontes.
“For that reason, many, including Sorkin himself, were disappointed that Fincher would not return to direct his “ The Social Reckoning ” script, which picks up its behind-the-scenes examination of Facebook during the company’s tumultuous years between 2018 and 2021.”
““But I had a great time making it, and I thought [director] David Fincher hit it out of the park.” “The Social Network” left a lasting mark , becoming millennials’ “Citizen Kane,” the creation myth by which we’ve come to understand how a collection of unscrupulous young men gave birth to the modern social media platforms that have a vice grip on society today.”
““I wanted David to direct it, but [he] couldn’t.” Sorkin had largely accepted that while writing “The Social Reckoning,” but it didn’t stop him from making Fincher the first person he sent the script to when he was done.”
““I got very nervous, and I said, ‘OK, listen, let’s just send the script to David Fincher , he’s going to pass, he passes on everything, and if he passes, I’ll direct it.’” Sorkin said that within only hours of the script going out, he received an email from Fincher introducing himself, announcing he was going to direct the film, and asking if he could come over so they could get to work.”
“While on the podcast, he recalled many of his favorite stories of working with Fincher, including filming the opening title sequence – a high-angle wide shot of Mark Zuckerberg (Jesse Eisenberg) running through Cambridge on his way back to his Harvard dorm after being dumped by his girlfriend (Rooney Mara) in the film’s opening scene.”
“It would be like me watching Baryshnikov, and then being able to dance — just watching him isn’t going to do the trick.”
“I try to create a director in the aggregate, by bringing in the right DP, the right production designer, the right costume designer, et cetera.” Replacing Fincher “in the aggregate” is how Oakland A’s general manager Billy Beane (Brad Pitt) talked about having to replace the team’s MVP first baseman Jason Giambi in the Sorkin-adapted screenplay of “ Moneyball .” Finding another first baseman who could hit 40-plus home runs with a .450 on-base percentage was a fool’s errand; the key was making up for Giambi’s contribution across multiple positions.”
“Season 2, “Monsters: The Lyle and Erik Menendez Story,” makes sure to loop O.J.”