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“After months of the same T-shirts, linen shirts , and shorts, we can finally start layering, wearing all of our pants, sweaters, and coats.”
“Naishtat has previously moved from strength to strength, which makes this film’s underpowered nature a disappointment.”
“Grade: B- “Glaxo” premiered at the Toronto International Film Festival 2026.”
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“After his more arthouse-oriented first two features, “History of Fear” (2014) and “The Movement” (2015), Naishtat made a swerve into populism with “Rojo,” a sleekly assured, blackly comic rendition of Argentina in the 70s.”
“The movie gets a lot of humorous mileage out of the visitors’ atrocious Spanish pronunciation, but they’re more than comic relief and their fate is part of the film ’s climax, which shifts gears from the opening segments’ period nostalgia and sporadic, uneasy comedy into the overtly tragic.”
“In both “Rojo” and “Puan,” this talented filmmaker took deliberate steps to meet audiences outside the arthouse and succeeded to an unusual extent without compromising his artistic integrity.”
“Across three separate years filmed in three different aspect ratios, clarity about the precise nature of that betrayal slowly emerges.”
“She immediately becomes a openly-gawked-at marvel for the local men, who gossip that she was a sex worker when Folcada met her.”
“Powered by WordPress.com VIP TIFF ‘Glaxo’ Review: Benjamín Naishtat’s Period Drama Revisits Argentina’s Dirty War In a Not-Quite-There Period Drama Though handsome enough, the writer-director’s fifth film is a disappointment after his previous two films.”