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“No one really drives away from anything.”
“We’re catching the tail-end of a lunchtime rendezvous between Marion Crane and her beau, Sam Loomis.”
“Ironically, though, the danger is not a direct response to her crime.”
“She is already in her private trap, even if no one has given her the language to call it that yet.”
“The need for speed is erotic, and the car both represents and fulfills this desire.”
“It’s an image of escape, of movement, of adventure, of self-discovery, of individualism, and—most of all—of freedom.”
“This dovetails with what philosopher Jean Baudrillard writes in America : “Driving is a spectacular form of amnesia.”
“In John Carpenter’s Christine, the titular car becomes an object of sexual desire and, ultimately, obsessive fixation.”
“As in Lost Highway , it is not just that the driver has a fractured consciousness, but that reality itself fractures around such consciousnesses.”