35790 candidatos pendentes de triagem, de todas as fontes.
“He’s the guy who lures her into a nightclub bathroom stall on the eve of her “Dreamgirls” audition, and plies her with all the drugs and dick she would ever need to self-justify not getting the part.”
“It’s Misty Green having seven days to move her shit out of her sugar dead-dy’s apartment at the same time as Jordan offers her the chance to audition for a Tarantino-level career rebound: The lead role in an Oscar-bound remake of “Dreamgirls.” (Jordan’s success as a studio director seems contingent on a willingness to fridge his creative ambitions in favor of overseeing palatably Black IP.) One minute she’s bounced out of her apartment and left for dead, and the next she’s being considered for immortality.”
“This is a movie fueled by the rapid oscillation between Los Angeles’ ups and downs, a movie that gets more traction from being good and bad than it would from being a little more of either, but the prevailing irony that holds “Misty Green” together is that Rosalid Eleazar is never anything less than great.”
“Or, perhaps more accurately, a woman who’s looking for freedom from all the wrong things.”
“Newsletters Open Menu Close News Film TV Awards Video Future of Filmmaking Filmmaker Toolkit Search Icon Open Search Close Read Next: Venice Prizes Elevate John Malkovich, ‘Possible Love,’ and ‘NAZA’ to Oscar Frontrunners Newsletters Search Icon Close Open Menu Close Search Icon Open Search Search for: Search for: Close Menu News Arrow Icon Breaking News General News Festivals Box Office Business Trailers Analysis Obituaries Criticism Arrow Icon Movies Shows Awards Arrow Icon Our Emmy Predictions Thompson on Hollywood Consider This Craft Considerations Deep Dive Industry Features Arrow Icon Interviews Commentary The Craft Best Of Animation Everything Else Future of Filmmaking Arrow Icon IndieWire's Future of Filmmaking Toolkit Arrow Icon Toolkit Podcasts Arrow Icon Screen Talk Filmmaker Toolkit IndieWire Newsletters Arrow Icon In Review by David Ehrlich The Lead Up by Marcus Jones Top of the Line by Sarah Shachat About IndieWire Arrow Icon IndieWire Masthead Sign Up for IndieWire's Newsletters and Alerts How to Pitch IndieWire Follow Us Facebook X Instagram Pinterest YouTube Alerts & Newsletters Email address to subscribe to newsletter.”
“Played to wearily ferocious perfection by “ Slow Horses ” powerhouse Rosalind Eleazar in what should be a star-making performance (but you never know in this town!), the almost 40-year-old Misty has developed a full script of excuses for the downward spiral she’s been on since winning an Emmy for a TV show called “Red Eye” in 2008.”
“The kind of slicked-haired scenester who lurks in the shadows of Los Angeles’ entertainment industry and thrives on the hidden side hustles that have always propped up the innocent corporate fantasia it exports to every screen on Earth, “Zach” is the devil perched on Misty’s shoulder.”
“The film’s worst and most provocative scene literalizes “getting the bag” with a bluntness that comes off less “wry showbiz commentary” than it does “women will go feral for a free accessory,” a moment that briefly sours the whole both things live side-by-side ethos with the sense that Rock is just having his cake and eating it too.”