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“Powered by WordPress.com VIP Filmmaker Interview Nathan Fielder Was Not Supposed to Be in ‘You Can See Everything’ Lance Oppenheim tells IndieWire how the documentary radically changed course in the first few days of production, including Fielder deciding to co-direct, appear on camera, and completely alter how it was shot.”
“(He even negotiated a “ kill switch ” in his deal with A24, permitting him to abandon the project at any point.) From the start, however, he did see it as an opportunity to collaborate with Oppenheim — not unlike what he did with Benny Safdie on “The Curse” — a director with his own distinct approach to capturing reality.”
“We were able to basically let their lives play out and follow almost everything without really knowing what we were interested in,” said Oppenheim.”
““Then once [Fielder started to appear more frequently on camera], we were like, ‘OK, we have to come up with a new system of doing stuff.”
“While, as IndieWire previously reported , Fielder was deeply skeptical there was a film to be made with Holmes and her partner Billy Evans.”
“Related Stories $1 Million Box Office Haul for ‘If I Go Will They Miss Me’ Provides a Release Template for the Smallest of Indies ‘Fatherland’ Review: Pawel Pawlikowski Fans Will Feel Cozily, Coldly at Home with His Latest Tour Through Europe’s Regrets “Nathan was very adamant from the jump with me, ‘I’m going to produce this, you’re going to direct this,’” said Oppenheim on IndieWire’s Filmmaker Toolkit Podcast .”