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“He also noted arguably the biggest change for the “Nathan for You” and “The Rehearsal” creator: “He wasn’t planning to be on camera for this too.” When it came to capturing Holmes and Evans in their beachside hideaway, the flaws of Oppenheim’s established approach became apparent right from the jump.”
“The result is non-fiction projects that often look and feel like scripted narrative films, using the cinematic form expressively.”
““Then once [Fielder started to appear more frequently on camera], we were like, ‘OK, we have to come up with a new system of doing stuff.”
““While the camera operators were changing things, Elizabeth and Billy would ask Nathan questions,” said Oppenheim.”
““It was them pulling [Nathan] in, asking him questions, asking him his opinion on things, and then him also realizing, once that started happening, maybe there was an opportunity to at least bring up the things he was observing that were confusing to him, that were also confusing to us,” said Oppenheim.”
“Powered by WordPress.com VIP Filmmaker Interview Nathan Fielder Was Not Supposed to Be in ‘You Can See Everything’ Lance Oppenheim tells IndieWire how the documentary radically changed course in the first few days of production, including Fielder deciding to co-direct, appear on camera, and completely alter how it was shot.”
“(He even negotiated a “ kill switch ” in his deal with A24, permitting him to abandon the project at any point.) From the start, however, he did see it as an opportunity to collaborate with Oppenheim — not unlike what he did with Benny Safdie on “The Curse” — a director with his own distinct approach to capturing reality.”
“We were able to basically let their lives play out and follow almost everything without really knowing what we were interested in,” said Oppenheim.”