89419 candidatos pendentes de triagem, de todas as fontes.
“What exactly the endgame of this road trip is doesn’t quite crystallize onscreen, leaving gaps and missing bookends that might encourage you to brush up on your European postwar history.”
“By Ryan Lattanzio Plus icon ryan Ryan Lattanzio Executive Editor ryanlattanzio More stories by Ryan ‘Fatherland’ Review: Pawel Pawlikowski Fans Will Feel Cozily, Coldly at Home with His Latest Tour Through Europe’s Regrets Read more ‘Klara and the Sun’ Review: Jenna Ortega Plays a Manic Pixie Android in Taika Waititi’s Confoundingly Awful Kazuo Ishiguro Adaptation Read more Alex Gibney on How a CGI Avatar Helped Simulate the Elon Musk Interview He Could Never Get Read more October 21, 2026 8:46 am Add us as a Google Preferred Source 'Fatherland' Courtesy MUBI Share Share on Facebook Post Share on LinkedIn Show more sharing options Submit to Reddit Pin it Post to Tumblr Email Print This Page Share on WhatsApp Editor’s Note: This review was originally published during the 2026 Cannes Film Festival.”
“Indeed, Zischler’s Mann is a lost soul, and these two, to quote Nick Cave, are a bit “like two lost suitcases on a carousel going nowhere.” Fans of Pawlikowski’s style will feel coldly, cozily at home in how their emotionally stingy relationship plays out.”
“Grade: B “Fatherland” premiered at the 2026 Cannes Film Festival.”
“But that also means that he doesn’t quite psychologically penetrate either of the Manns as immersively as his previous work.”
“His latest, “Fatherland,” takes us on a melancholy road trip from U.S.-operated Frankfurt to Soviet-run Weimar in Germany with “The Magic Mountain” author Thomas Mann (Hanns Zischler) and his daughter Erika ( Sandra Hüller ) in 1949.”