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“But the 1971 film looks unlike most movies made about Early Modern Europe (or indeed any part of the pre-modern world) before or since.”
“Related Stories The Cast of the New ‘Sense and Sensibility’ Is Just as Good as in the Beloved 1995 Version American Film Market Will Rethink Networking Through Partnership with Indie Creator Platform Callo Jarman pointed out, rightly, that in the 1630s, the walls wouldn’t have been crumbling at all.”
““‘The exorcism of Sister Jeanne was equivalent to a rape in a public lavatory.’ The image of the public lavatory, the impersonality of it all, stayed in my mind.”
“But what Pinewood had for Jarman were some moulds of 17th-century walls, designed to look like they were crumbling.”
“Jarman and Russell, however, had no interest in the kind of distancing effect and the almost teleological argument for progress that lurks behind portraying a bare stone, “period” version of Loudun.”
“These sets play with different shape languages and color choices, drawing parallels to the way that modern architecture imposes a sense of wealth or power.”
“The production designer brought a deep understanding of the contradictions of the early modern period to his work, as evidenced in the clear visual contrasts between the ornate (but not sooty!”