https://www.indiewire.com/news/events/watch-hoorae-media-microdramas-future-of-filmmaking-summit-1235223959/
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“Powered by WordPress.com VIP Future of Filmmaking Hoorae’s Microdramas Found 580 Million Views.”
“And still, Clark and Yador sounded excited to be making things and building profitable artistic environments.”
““My favorite comment is, ‘Who put Netflix on my TikTok?’” Yador said.”
“James Bond Screen Tests to Happen This Weekend: Finalists Emerge for Next 007 Movie 3.”
“Read More: Film Future of Filmmaking Summit Hoorae Media Issa Rae Microdramas Screen Time TV Daily Headlines Daily Headlines covering Film, TV and more.”
“But if you’re willing to adapt to the microdrama world, there’s real opportunity.”
“For an industry still contending with declining production in Los Angeles , the prospect of more work is welcome.”
“That backing matters for filmmakers wondering whether they could follow suit.”
““We have a blend of just talented filmmakers, but then we also have the top of the class in terms of people who have done verticals before,” Yador said.”
““Obviously we work in television, we work in film, and now to be back in digital, which is where Issa really got her start and started building her audience has felt like a very beautiful full circle moment,” Clark said.”
“(Notably, fellow summit speaker and inaugural Future of Filmmaking Award honoree Curry Barker knows something about that online runway: His reported $800 YouTube feature “Milk & Serial” preceded his theatrical breakout with “Obsession.”) For Yador, the challenge was adapting Hoorae’s storytelling to the digital world’s existing habits.”
““’How much can you make in X amount of time with X budget?’ — is always a math equation that we’re trying to solve for that feels very one-to-one with just kind of vertical universally.”
““It wasn’t about trying to reimagine what storytelling is because we do that so well already,” she said.”
“Jax Clark and Dzifa Yador at IndieWire’s Future of Filmmaking Summit Yador said Hoorae spent two years studying vertical storytelling before diving into the space, and they don’t regret the prep.”
“For the people who made the juicy series, the stakes are less lurid but plenty urgent: Can a thriller told in minute-long segments sustain a business that keeps indie filmmakers, cast, and crew on set?”
“— Watch At IndieWire’s Future of Filmmaking Summit, Issa Rae’s team made a practical case for vertical storytelling — and getting filmmakers back on set, even as the economics come into focus.”
“By Alison Foreman Plus icon Alison Foreman More stories by Alison Watch Emmy Rossum and Hulu’s ‘Furious’ Team Explain How They Found Humanity in a Broken System Read more Laika and Fathom Take Legal Action to Stop ‘Wildwood’ Screenings at L.A.’s Bruin Theatre Read more From ‘The Devils’ to ‘Obsession,’ How ‘Femcel’ Horror Handles Horny Women Read more October 28, 2026 3:30 pm Add us as a Google Preferred Source Dzifa Yador, Jax Clark and Ali Foreman at IndieWire Future of Filmmaking Summit held at Lumen on October 17, 2026 in Los Angeles, California.”
“As creators, the obstacles were familiar even when the delivery system wasn’t: Find the fans.”