https://www.indiewire.com/features/craft/sense-and-sensibility-costumes-sisters-who-steal-1235222259/
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“By the end of the film, Snell wanted what the two heroines have learned from each other to reflect in how they dress.”
““Sense and Sensibility” is now in theaters.”
“Daisy was very structured, very formulaic, labeled; it was systematic in how we tried on things.”
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““You could tell how Daisy was Elinor and how Esme was Marianne instantly, even in how I set up the fitting for them.”
“Snell wanted to challenge the audience’s perceptions of how women of a certain age dress by giving Mrs.”
“Snell wanted the Dashwoods to dress as if no whole costume team is coordinating things behind them — though haughty sister-in-law Fanny (Stacy Martin) is another matter.”
“You can approach historical costumes in many ways, but Snell wanted to tackle the project with both good sense (in-depth research into Regency England) and a particularly modern sensibility .”
“‘Sense and Sensibility’ ©Focus Features/Courtesy Everett Collection But Elinor and Marianne start out with distinct philosophies that Snell brought to the first costume fittings.”
““We lengthened Elinor’s to make it a longer jacket, which is something that was used in the time [period], and then they were made in different fabrics but the same color.”
“Jennings (Fiona Shaw).”
“Namely, that sisters are in and out of each other’s closets.”
“RJ Mitte, 'Breaking Bad' Star, Dies at 34 2.”
“By Sarah Shachat Plus icon Sarah Shachat Craft Editor sarahshachat More stories by Sarah The Costumes of ‘Sense and Sensibility’ Are a Love Letter to Stealing Your Sister’s Clothes Read more ‘Josephine’ Trailer: Channing Tatum and Gemma Chan Can’t Parent Away an Act of Violence Read more New ‘Avatar’ Projects Are Everywhere — but the Best One Succeeds by Leaving ‘The Last Airbender’ Behind Read more October 16, 2026 1:30 pm Add us as a Google Preferred Source 'Sense and Sensibility' ©Focus Features/Courtesy Everett Collection Share Share on Facebook Post Share on LinkedIn Show more sharing options Submit to Reddit Pin it Post to Tumblr Email Print This Page Share on WhatsApp Costume designer Grace Snell had never done a period film before she jumped on a call with filmmaker Georgia Oakley .”
“The sisters are much more at ease in Barton, needless to say, and Snell found sneaky ways to show how they adapt and learn from each other.”
““I got her to dress herself, and I wanted to see how she might make ‘mistakes’ dressing herself, how things might not be done up correctly.” Marianne, after all, isn’t really concerned with correctness or propriety (to Elinor’s continual dismay), so Snell and Creed-Miles embraced those instinctual first choices in crafting a look for Marianne that was just a bit irreverent and rebellious.”
““ I really wanted to show how intimidating a place like London could be when you don’t have the means, through what everyone’s wearing at the ball,” Snell said.”
“So [the characters] are in those details,” Snell said.”
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