https://www.indiewire.com/criticism/movies/glaxo-movie-review-1235217151/
30 candidatos extraídos · 0 já revisados · 30 pendentes · 3.4% de cobertura de vocabulário
“Naishtat has previously moved from strength to strength, which makes this film’s underpowered nature a disappointment.”
“Grade: B- “Glaxo” premiered at the Toronto International Film Festival 2026.”
“Read More: Film Glaxo Reviews TIFF Daily Headlines Daily Headlines covering Film, TV and more.”
“After his more arthouse-oriented first two features, “History of Fear” (2014) and “The Movement” (2015), Naishtat made a swerve into populism with “Rojo,” a sleekly assured, blackly comic rendition of Argentina in the 70s.”
“The movie gets a lot of humorous mileage out of the visitors’ atrocious Spanish pronunciation, but they’re more than comic relief and their fate is part of the film ’s climax, which shifts gears from the opening segments’ period nostalgia and sporadic, uneasy comedy into the overtly tragic.”
“In both “Rojo” and “Puan,” this talented filmmaker took deliberate steps to meet audiences outside the arthouse and succeeded to an unusual extent without compromising his artistic integrity.”
“Across three separate years filmed in three different aspect ratios, clarity about the precise nature of that betrayal slowly emerges.”
“She immediately becomes a openly-gawked-at marvel for the local men, who gossip that she was a sex worker when Folcada met her.”
“Powered by WordPress.com VIP TIFF ‘Glaxo’ Review: Benjamín Naishtat’s Period Drama Revisits Argentina’s Dirty War In a Not-Quite-There Period Drama Though handsome enough, the writer-director’s fifth film is a disappointment after his previous two films.”
“Here's Exactly When the New Starbucks Snoopy Cup Drops & How to Get One Before It Sells Out You may also like Israeli Filmmakers Among 1,500 Names to Sign Petition Defending ‘NAZA’ Directors After Their Citizenship Is Threatened Over Gaza Doc rollingstone Kenny Chesney to Bring Eric Church, Sheryl Crow on Stadium Tour This Spring Hammond @ The Emmys: A Record-Setting Night As The Once Repetitive TV Academy Proves It Likes To Shake Things Up PGA Tour Adds First-Ever Investor Relations Executive IndieWire Arrow Icon About Team How to Pitch Stories and Articles to IndieWire Advertise with IndieWire Contact Us Accessibility Statement Legal Arrow Icon Terms of Use Privacy Policy California Privacy Rights EU Privacy Preferences Your Privacy Choices Ad Choices Follow Us Facebook X Instagram Pinterest YouTube Newsletter Sign Up Email address to subscribe to newsletter.”
“” “This movie’s too hard to follow,” one complains, while the other explains how John Connor is on a mission from the future to fix the past; “Glaxo” turns out to be a riff on that same idea concerning a betrayal that can’t be undone decades later.”
“By Vadim Rizov Plus icon Vadim Rizov More stories by Vadim ‘Anchors Aweigh’ Review: One Man’s Alt-Comedy Millennial Meltdown Gets a Hybrid Documentary Gloss in Matt Barats’ Second Feature Read more From ‘Father Knows Best’ to ‘Final Destination’: How Legacy Sequels Took Over the World Read more ‘La Libertad Doble’ Review: It’s ‘Slow Cinema: The Return’ in Lisandro Alonso’s Latest Read more September 15, 2026 10:30 am Add us as a Google Preferred Source 'Glaxo' RT Features Share Share on Facebook Post Share on LinkedIn Show more sharing options Submit to Reddit Pin it Post to Tumblr Email Print This Page Share on WhatsApp In “ Glaxo ,” Benjamín Naishtat once again considers Argentina’s history of state-sponsored violence.”
“Must Read Features The 25 Best Movies of 2025 Features The 10 Best TV Series of 2025 Best of 2025 The 24 Best Film and TV Performances of 2025 More From IndieWire Awards Emmy Awards Snubs and Surprises: Harrison Ford’s Shocking Loss, Allison Janney’s Upset Win, and Matthew Rhys’ Record-Breaking Night TIFF ‘American Hostage’ Review: Jon Hamm Anchors a Tepid Period Drama on Timely Threats to the Fourth Estate PMC Logo Most Popular 1.”
“Despite partially flubbing his fifth feature, he remains a formidable talent to keep an eye on.”
“The fact that she’s a grown woman sleeping with a teenage boy barely registers as in any way notable, and their couplings are quasi-comic.”
“Among the lovestruck locals are four teen boys; one of them, Miguelito Barrios (Joaquin Bonadeo as a young man, Manu Fanego as an adult), begins an affair with her while also training Folcada’s horses.”
“Previously a meek philosophy professor in Naishtat’s “Puan,” here Subiotto carries himself with the threatening self-assurance of Robert De Niro in gangster mode.”
“In general, “Glaxo” has a surplus of production design pleasures, including a centerpiece sock hop where the boys first spy La Miranda in 1957, but lacks erotic heat.”
“Newsletters Open Menu Close News Film TV Awards Video Future of Filmmaking Filmmaker Toolkit Search Icon Open Search Close Read Next: Michelle Khare Says YouTube’s Upload Button Is Changing Who Gets to Make Prestige TV Newsletters Search Icon Close Open Menu Close Search Icon Open Search Search for: Search for: Close Menu News Arrow Icon Breaking News General News Festivals Box Office Business Trailers Analysis Obituaries Criticism Arrow Icon Movies Shows Awards Arrow Icon Our Emmy Predictions Thompson on Hollywood Consider This Craft Considerations Deep Dive Industry Features Arrow Icon Interviews Commentary The Craft Best Of Animation Everything Else Future of Filmmaking Arrow Icon IndieWire's Future of Filmmaking Toolkit Arrow Icon Toolkit Podcasts Arrow Icon Screen Talk Filmmaker Toolkit IndieWire Newsletters Arrow Icon In Review by David Ehrlich The Lead Up by Marcus Jones Top of the Line by Sarah Shachat About IndieWire Arrow Icon IndieWire Masthead Sign Up for IndieWire's Newsletters and Alerts How to Pitch IndieWire Follow Us Facebook X Instagram Pinterest YouTube Alerts & Newsletters Email address to subscribe to newsletter.”
“Subscribe More from IndieWire TIFF ‘Wild Wild East’ Review: Jan Holoubek’s Nazi-Era Noir Western from Poland Loses Its Nerve TIFF ‘Bad Lieutenant: Tokyo’ Review: Takashi Miike Can’t Elevate an Uneven Entry Into an Unlikely Franchise TIFF ‘A Talent for Murder’ Review: Helen Mirren and Alden Ehrenreich Face Off in This Punchy Twist on Patricia Highsmith TIFF ‘Prima Facie’ Review: Cynthia Erivo Stars in Tonally Confused Screen Treatment of Provocative #MeToo Stage Play TIFF ‘Anchors Aweigh’ Review: One Man’s Alt-Comedy Millennial Meltdown Gets a Hybrid Documentary Gloss in Matt Barats’ Second Feature TIFF ‘The Last Photograph’ Review: Zack Snyder’s Shallow Two-Hander Is a Dull, Grotesquely Violent Revenge Thriller Daily Headlines Daily Headlines covering Film, TV and more.”
“About Advertise with IndieWire IndieWire Masthead Contact Us PMC Logo IndieWire is a part of PMX Global, LLC, a subsidiary of Penske Media Corporation.”