https://www.indiewire.com/features/interviews/venice-maggie-gyllenhaal-interview-flesh-impact-burstyn-ai-1235216512/
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“I think I had Ellen for three-and-a-half days.”
“Maggie Gyllenhaal: No, I was editing “The Bride!,” working quite hard at the time.”
“IndieWire: How and when did “Flesh Impact” come together?”
“Had you already wrapped “The Bride!” before taking it on?”
“This was the ask, but I’m sure they imagined a young Marilyn Monroe.”
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“Venice has been really supportive of me, and not only do I love being here — it’s like I said in the opening statement, it’s where I became a director.”
“Are you creating a stable of actors?”
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“It’s pretty fucking major, ok.”
“And I remember being on “The Deuce” with her and going, “That woman is good .” And I also like new people, you know?”
“The ways that we consume actors.”
“Look, acting is the aspect of filmmaking that I have the most experience with in the most intimate way.”
“So what I think is brilliant might be different than what other people think is brilliant.”
“And I absolutely feel inspired being here now,” said the filmmaker, whose run as president of the Venice 2026 competition jury, is wrapping this weekend.”
“In addition to her juror duties, Gyllenhaal premiered her short “Flesh Impact” at Venice, starring one of this year’s Golden Lion Lifetime Achievement Award recipients Ellen Burstyn .”
“OK, so I’ll say I was asked to consider it.”
“Kate Green/Getty Images for Genesis Outside of the convenience of familiarity, is there a particular element you look for in an actor that is true of the people that you continue to work with, but also what you look for in some of the new people?”
“And I thought, “Well, I don’t know that much about Marilyn Monroe.” I don’t know more than just your average Jane knows.”
“Exactly.”
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“” cinematographer Lawrence Sher and “The Lost Daughter” editor Affonso Gonçalves , to try to imagine what screen icon Marilyn Monroe would have to say in her 100th year.”