https://www.rollingstone.com/music/music-features/little-big-town-its-a-dying-art-album-interview-1235617159/
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“There are a lot of things that feel like a dying art right now.”
“That’s the biggest thing when I’m producing any record: Where’s the energy here?”
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“Fairchild: We’re not going to go out and use AI to come up with rhymes.”
“When you sat down to start working on It’s a Dying Art, what kind of conversations were you having about what direction the album might take?”
“It wasn’t really challenging.”
“We’re depending on our human brain for that work.”
“It features Jason Isbell, Kelsea Ballerini, and the group's stunning harmonies.”
“She commands respect in the room without having any sort of negative connotation with it at all.”
“She’s a champion of women, and she’s done the work.”
“And for me personally, it feels very anthemic to say it’s coming around, and hopefully sooner than later.”
“For a vocal band, being able to work with someone who can get every little nuance out of the throat is important, which, depending on the day, can be very challenging.”
“On songs like “The Door,” there’s striking space between the harmonies and lyrical guitarwork from Jason Isbell , while “Crickets” manages a Rufus-esque boogie without overfilling the groove.”