https://www.indiewire.com/criticism/movies/motor-city-movie-review-alan-ritchson-1235206987/
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“The prison break is one of three setpieces that find a satisfying harmony between form and function (the other two, a knife fight in an elevator and a shootout amid a rain of factory sparks, bleed into each other during the film’s dying minutes), but I spent most of “Motor City” wondering why anyone bothered with the dialogue-free gimmick if so much of the movie was still going to unfold as a conventional thriller.”
“By a setting so blandly digital that a movie called “Motor City” needs a “1977 Detroit” title card to let us know where it takes place.”