https://www.rollingstone.com/music/music-features/bleed-american-the-middle-jimmy-eat-world-jim-adkins-1235598467/
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“If you chase that, you’re just gonna turn people off.”
“And I feel “Bleed American,” the song, is in a weird way a really dark version of what “Middle” is saying.”
“I don’t have anything that I can feel like directly spoke to me in that way.”
“And trying to leave you with a sense of hope, in the way that really great, simple rock songs can.”
“The album, and the still-ubiquitous “The Middle” in particular, ended up defining Jimmy Eat World’s career.”
“How is it that you had a promo standup for the Bruce Springsteen Tunnel of Love album in your bedroom?”
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“Capitol might not have dropped you.”
“Mike Kimchi for Rolling Stone I remember you saying that you were getting into Buddy Holly back then.”
“I was really glad when the Strokes got big, because all of a sudden people stopped asking us about emo [laughs] .”
“It’s so crazy to listen to the demo of “Sweetness” that you guys did in the Clarity sessions.”
“I’m now completely valid in the eyes of a whole lot of my family members.”
“And how you do that is theme, variation, ascension, next theme, variation, some kind of conclusion.”
“And so there’s a lot of people just trying to frame everything.”
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“Learning about that years later, I realized that the chorus of your song is almost like “Dancing in the Dark.” It has that same kind surge.”
“Playing drums is fun.”
“I didn’t learn songwriting.”
“I thought about this a little bit when we were going back and listening to the multi-track of the album.”
“The demo of “The Middle” was released a while back and it has a totally different vibe.”
“Send us a tip using our anonymous form.”
“Jim Adkins performs with Jimmy Eat World at Warped Tour in D.C.”
“But we’re definitely not gonna stop making music.”
“You didn’t have a label, you’d been dropped.”
“Then in 2001, the cool stuff was the Strokes, which wasn’t you.”