https://www.indiewire.com/features/interviews/hirokazu-koreeda-sheep-in-the-box-cannes-interview-1235195862/
30 candidatos extraídos · 0 já revisados · 30 pendentes · 0.1% de cobertura de vocabulário
““I feel all the interviews today and yesterday have given me a good idea of how people have received the film,” he said.”
“About Advertise with IndieWire IndieWire Masthead Contact Us PMC Logo IndieWire is a part of Penske Media Corporation.”
“How did Koreeda come up with these nuanced ideas that contribute to the movie’s underrated thoughtfulness?”
“Discovery Merger Underdog’s Prediction Market Push Leverages Its Online Edge IndieWire Arrow Icon About Team How to Pitch Stories and Articles to IndieWire Advertise with IndieWire Contact Us Accessibility Statement Legal Arrow Icon Terms of Use Privacy Policy California Privacy Rights EU Privacy Preferences Your Privacy Choices Ad Choices Follow Us Facebook X Instagram Pinterest YouTube Newsletter Sign Up Email address to subscribe to newsletter.”
“Subscribe By providing your information, you agree to our Terms of Use and our Privacy Policy .”
“Read More: Cannes Festivals Film Hirokazu Koreeda Interviews Sheep in the Box Daily Headlines Daily Headlines covering Film, TV and more.”
“Newsletters Open Menu Close News Film TV Awards Video Future of Filmmaking Filmmaker Toolkit Search Icon Open Search Close Read Next: Olivia Wilde’s ‘I Want Your Sex’ Character Is Madonna Meets Mapplethorpe Newsletters Search Icon Close Open Menu Close Search Icon Open Search Search for: Search for: Close Menu News Arrow Icon Breaking News General News Festivals Box Office Business Trailers Analysis Obituaries Criticism Arrow Icon Movies Shows Awards Arrow Icon Our Emmy Predictions Thompson on Hollywood Consider This Craft Considerations Deep Dive Industry Features Arrow Icon Interviews Commentary The Craft Best Of Animation Everything Else Future of Filmmaking Arrow Icon IndieWire's Future of Filmmaking Toolkit Arrow Icon Toolkit Podcasts Arrow Icon Screen Talk Filmmaker Toolkit IndieWire Newsletters Arrow Icon In Development by Dana Harris-Bridson In Review by David Ehrlich The Lead Up by Marcus Jones Top of the Line by Sarah Shachat Sketch to Screen by Wilson Chapman About IndieWire Arrow Icon IndieWire Masthead Sign Up for IndieWire's Newsletters and Alerts How to Pitch IndieWire Follow Us Facebook X Instagram Pinterest YouTube Alerts & Newsletters Email address to subscribe to newsletter.”
“Besides, Kakeru, as an AI, shows awareness that he has been programmed not to feel sad.”
“It’s an exciting time for Japan at Cannes this year, as the Marché du Film’s Country of Honor has nearly a dozen diverse features and shorts across the official selection and the sidebars.”
“This site is protected by reCAPTCHA Enterprise and the Google Privacy Policy and Terms of Service apply.”
“I think that’s given Japan something to think about.”
“Fukada’s “ Nagi Notes ” has been respected for its elegance and quietude.”
“On the flip side, when Kakeru shows signs of wanting independence, Otone reasons that there’s nothing new in the idea, since abandonment happens to all parents.”
“At one point, Kakeru attempts to attenuate Otone’s guilt with a statistic: 68% of all moms have at some point decided to abandon their children.”
“Have a Tip?”
“Subscribe More from IndieWire OP-ED Hollywood Doesn’t Need Another Warning Label for LGBTQ Stories — Opinion Interview Olivia Wilde’s ‘I Want Your Sex’ Character Is Madonna Meets Mapplethorpe Filmmaker Interview How Losing ‘Avengers’ Brought Destin Daniel Cretton to ‘Spider-Man: Brand New Day’ A Producer's Path Nobody Finances the Land Criminal Imports Engrossing British Crime Drama ‘Gone’ Takes the Ol’ Stiff Upper Lip to New Heights In Development What’s Your Christopher Nolan?”
“Email address to subscribe to newsletter.”
“By Ritesh Mehta Plus icon Ritesh Mehta Ritesh Mehta More stories by Ritesh The Only Palestinian Filmmaker in Cannes’ Official Selection Made His Debut Without a Script — and with a Real Bedouin Family Read more ‘Colony’ Review: Yeon Sang-ho’s Latest Zombie Saga Paints Civilizational Collapse with Too Broad a Brush Read more ‘Wolfram’ Review: Warwick Thornton’s ‘Sweet Country’ Follow-Up Is Just as Ravishingly Bleak Read more July 24, 2026 9:28 am Hirokazu Koreeda at the photocall for 'Sheep in the Box' at the 79th Festival de Cannes held at Palais des Festivals on May 17, 2026 in Cannes, France.”
“Related Stories Judge Extends Restraining Order on Paramount-Warner Bros.”
“What’s more, it’s the first time in a quarter century that three Japanese directors have films in competition.”