https://www.indiewire.com/criticism/movies/hadestown-the-musical-movie-review-1235206370/
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“Grade: B “Hadestown: The Musical” premiered at the Tribeca Film Festival in June.”
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“Narrating this “sad song,” as he puts it in the opening number, is God of Heralds Hermes, played by Broadway treasure André de Shields.”
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“Orpheus, in particular, is more a vehicle for the show’s themes of sacrificing comfort for love and passion than a dynamic lead to hang a show around.”
“Crosswalk will release the film in theaters on July 24.”
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“Noblezada, with her resonant alto belt, is a little more lively, but Eurydice’s pluckiness is of the sand-downed, palatable variety all too common for musical theater.”
“By Wilson Chapman Plus icon Wilson Chapman Michael Buckner Wilson Chapman More stories by Wilson ‘Avatar Aang: The Last Airbender’ Review: A Sequel Film to the Beloved Animated Series Captures Its Beauty, but Not Its Spirit Read more ‘The Doomies’ Could Be the Spiritual Successor to ‘Gravity Falls’ That Animation Needs Read more Christopher Nolan Movies, Ranked from ‘The Dark Knight’ and ‘Tenet’ to ‘Oppenheimer’ and ‘The Odyssey’ Read more July 22, 2026 2:00 pm "Hadestown" Bleecker Street Share Share on Facebook Post google Google Preferred Share on LinkedIn Show more sharing options Share to Flipboard Submit to Reddit Pin it Post to Tumblr Email Print This Page Share on WhatsApp When “ Hadestown ” premiered on Broadway’s Walter Kerr Theater in April 2019, practically every review of the production mentioned the unintentional resonance of the big Act 1 closing song, “Why We Build the Wall.” In the context of the musical, songwriter Anaïs Mitchell and director Rachel Chavkin’s fusion of Greek mythology with 1930s jazz, the number sees God of Death Hades (played in the original Broadway cast, with an earthquake-inducing deep bass voice, by Patrick Page) revel in his dominance over the Underworld and his subjugation of the dead he’s enslaved as his miners and builders.”
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“Mitchell and Chavkin’s show is a timeless one, and not just because it’s literally retelling two of the most iconic myths in Western tradition.”
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“On screen, this confrontation only feels more intimate, depicted as a series of close-ups that melt the world of the show away until it’s just these two figures in the darkness.”
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