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“An entire piece—eight, ten, twenty pages—strung on a single sentence.”
“Paris Review - Joan Didion, The Art of Fiction No.”
“269 By Yan Lianke In his study in Kaifeng, 1991.”
“INTERVIEWER You have said that writing is a hostile act; I have always wanted to ask you why.”
“I don’t seem to hear that many clauses when I’m writing a novel.”
“The Daily On Books The Art of Fiction No.”
“I wrote the first half of Run River at night over a period of years.”
“Carson McCullers, Jane Bowles.”
“I don't seem to recognize “feminine.” On the other hand, Victory seems to me a profoundly female novel.”
“Tell me, do you find the environment here in Hong Kong more conducive to writing than Mainland China?”
“DIDION I wrote stories from the time I was a little girl, but I didn’t want to be a writer.”
“DIDION I always say Hemingway, because he taught me how sentences worked.”
“INTERVIEWER Have any women writers been strong influences?”
“The only difference being that a writer can do it all alone.”
“I loved those novels so much that I was paralyzed by them for a long time.”
“I Don’t Do Innocents Written by Anne Carson.”
“I was working at Vogue during the day, and at night I would work on these scenes for a novel.”
“But if I don’t have to think about being published, then I can write anything I want, without any restrictions.”
“Yan was born in 1958, in a small village in rural Henan, about forty miles from the nearest city, Luoyang.”
“Subscribe and save 33%.”
“From the Archive, Issue 256 Interview Anne Carson I Don’t Do Innocents , by Anne Carson , March 2026 A special production of Anne Carson’s I Don’t Do Innocents , which first appeared in issue no.”
“I’m not even sure I’d dare to read James again.”
“All that perfectly reconciled style.”